Sean Astin

Joe Biden is still president, apparently

On Thursday, while delivering remarks at the eulogy for the late Representative Sheila Jackson Lee, Vice President Kamala Harris “accidentally” referred to herself as the president. Kamala was discussing a bill that Lee co-sponsored with Republican senator John Cornyn that eventually became law and made Juneteenth a federal holiday. “As a United States senator, I was proud to co-sponsor it. Then, as president — as vice president — it was my honor, with the president. With the president! It was my honor, along with our president, Joe Biden, to stand beside Congresswoman Sheila Jackson Lee as our president signed her bill into law.” Whoops.

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What I saw on the White Dudes for Harris Zoom call

When I was a younger man, I found myself on the receiving end of a good bit of unsolicited advice for surviving as a member of the right — tried and true lessons in how to stay interesting without getting canceled or killed. Read all the archives of the Weekly Standard. Avoid talk of Israel, IQ and the Glorious Revolution. Don’t drink too much. Don’t drink too little. Take up smoking. And, most importantly, don’t involve yourself with any organizations predicated on white identity. I have never been very good at following sound advice, which is why I joined “White Dudes for Harris” on Monday. The existence of such an affinity group is remarkable in itself.

Admit it — you love Rudy

As we wander our way through life, we encounter all manner of guilty pleasures. Some — say, watching reality television or consuming fast food — can be said to properly induce feelings of guilt, but many others really ought to make no claim on our conscience. Surely the least guilty of all guilty pleasures is the cinematic subgenre known as the inspirational sports movie. This perfectly respectable form has spawned countless enduring films, from National Velvet to Rocky. Their makers recognized that few things rouse an audience like the spectacle of an underdog mastering an athletic pursuit. With the 1986 release of Hoosiers, filmmaker David Anspaugh presented himself as the most gifted modern practitioner of the form.

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