Saxophone

Musical bumps: Discord, by Jeremy Cooper, reviewed

From our UK edition

From skylarks and bumblebees to the changing seasons and the sea, composers have long drawn inspiration from the natural world. In Discord, Jeremy Cooper’s eighth novel, Rebekah Rosen goes a step further, seeking inspiration not in nature itself but in a wartime diary chronicling the annual crops on a Peckham allotment. She intends to use this natural code as the basis of a piece for saxophone and orchestra commissioned for the 2022 BBC Proms.  Her chosen soloist is Evie Bennett, a rising star on the international stage. Cooper’s narrative traces their complex – indeed, discordant – collaboration, through alternating points of view. Though both trained at the Royal College of Music, in other respects they are polar opposites.

An unvarnished insight into the mind of Sonny Rollins

In the mid-1950s, alongside his close friend and intimate confidant John Coltrane, the revered saxophonist Sonny Rollins completely revolutionized notions about how the tenor saxophone could function within modern jazz. In landmark albums like Freedom Suite, Way Out West and Tenor Madness, Rollins pushed the art of melodic improvisation to transcendent new heights, his charismatic sound, his snaking melodies and his rhythmic liquidity ringing the changes as surely as Louis Armstrong had done thirty years earlier. And like Louis, and later Miles Davis, there came a point where Rollins wrestled free of the jazz aficionado’s gaze to become admired by a more general audience.

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