Samuel Taylor Coleridge

How ‘The Rime of the Ancient Mariner’ plays tricks with the mind

From our UK edition

I’ve just returned from five days in the Lake District, attending the biennial ‘Friends of Coleridge’ conference in Grasmere. All the other attendees were seasoned Coleridge scholars, but I was a newbie. The reason for my going was the fact that I’m engaged in a project that has at times felt something of a lonesome road and indeed an albatross: to write a book about Coleridge’s ‘The Rime of the Ancient Mariner’. The poem comes to us with a vast undertow of explicit and implicit cultural and historical baggage, from its self-conscious antiquarian roots in late medieval ballads to its engagement with more currently pressing concerns of environmentalism and how we navigate the story of colonial expansion.

Hidin’ Biden’s basement convention

Not everyone appreciates the extent to which the Democrats pushing Joe Biden for president are students of Samuel Taylor Coleridge. For those of you who think low, let me say straight away that I am not thinking of Coleridge’s penchant for laudanum. No, I am thinking of that other goad to fantasy, Coleridge’s idea, articulated in his book Biographia Literaria (1817), of ‘the willing suspension of disbelief’. (But speaking of thinking low, if we enlarge our gaze to encompass Joe himself, we might also trespass upon the subject of plagiarism. Coleridge cribbed wantonly from the German philosopher Friedrich Schelling just as Joe did from Neil Kinnock and others.

biden basement