Romantic Comedy

Splitsville defends monogamy

The new comedy Splitsville amusingly diagnoses several urgent social ills. The film mocks those who treat marriage not as an expression of solemn vows but as a ticket to unfettered happiness to be discarded at the first sign of discontent; it also excoriates those who view the institution as so meaningless – just a piece of paper – as to persist in the midst of openly acknowledged affairs, romances and one-night stands. In its own coarse, fumbling way, Splitsville has an instinctive sense of how human beings long for monogamy and order even while they court freedom and licentiousness. Splitsville stars Kyle Marvin and Adria Arjona as Carey and Ashley, a young couple who, 14 months after getting hitched, find themselves with different notions about the success of their union.

Curtis Sittenfeld is the great American observer

If a Martian landed on Earth and wanted a quick summary of the state of modern American life, I would point him toward the works of Curtis Sittenfeld. Sittenfeld (born 1975 in Ohio) is a novelist. Like all the great ones, her perceptions are more accurate about real life than most nonfiction writers’ could claim. In Prep (2005), she skewered American class in the story of a Massachusetts boarding school; Sittenfeld herself went to private school at Groton. In Rodham (2020), a novel about Hillary Clinton, she nailed today’s politics. And, in her best book to date, American Wife (2008), a thinly disguised novel about George and Laura Bush, she filleted the American approach to inherited money, and the swaggering confidence it produces.

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