Robespierre

Why socialism will fail

The philosopher David Hume warned us not to mistake “constant conjunction” for causation. It’s good advice, though it is not the sort of universal disturbance in the force that some philosophers, eager to jettison old certitudes, believe it to be. Hume himself eventually rejected that “pretended skepticism” as a juvenile affectation. Like the rest of us, he recognized that reasoning from induction, from observed realities, introduces us to that great guide in the cognitive adventure of life – probability. Don’t let the appearance of a black swan down under disturb you: good mental hygiene and faith in the soundness of inductive reasoning go together. I indulge in this preliminary expectoration (apologies to Søren Kierkegaard) because I arrived in London on June 22.

The grisly art of Revolutionary France

From our UK edition

There was a basket of thick red wool and two pairs of large knitting needles at the start of University College London’s cleverly curated exhibition, Witnessing Terror: French Revolutionary Prints 1792–94. Visitors were invited to contribute their own lines of stitches before picking up a copy of A Tale of Two Cities, in which Dickens fictionalised the tricoteuses, the women who gathered around the guillotine knitting and waiting for heads to roll. The first six prints are French portraits of ‘revolutionary martyrs’ ranging from Louis XVI, wearing the bonnet rouge, or red cap of liberty, that was placed on his head when the crowd broke into the Tuileries Palace in 1792, to Robespierre, whose death in 1794 marks the formal, if not actual, end of the Terror.