Road House is a triumph of awful filmmaking
There is a magical nexus between awful and amazing on which some movies land. Sometimes it is a self-aware reach toward the awful that creates the magic, other times it is the filmmaker’s obliviousness that creates a Bob Ross happy accident that delights viewers and creates a cult classic. Amazon’s Road House is not such a movie. The 2024 film, loosely based on 1989’s Road House, mostly adheres to the Wikipedia plot summary of the Patrick Swayze classic, if you forgive them for forgetting to make the plot discernible. Jake Gyllenhaal is a former UFC fighter, rather than a professional bouncer, in this iteration. He is recruited to become a bouncer for a club experiencing a wave of violence, as was the case in the original. He is a badass, as Swayze was.
