Richard Grennell

Has Trump’s Kennedy Center overhaul worked?

When Donald Trump installed himself as chairman of Washington’s Kennedy Center, the progressive arts community reacted with predictable hysteria. Artists threatened boycotts and donors withdrew their support. The Guardian reported the news as “anti-woke MAGA populism on a collision course with America’s progressive cultural scene,” while the usual suspects emerged from their Brooklyn brownstones and Malibu beach houses to decry the “assault on democracy” and predict the death of artistic expression as we know it. But as with most things Trump, the reality has proven far more interesting. Since opening in 1971 as a memorial to John F.

Kennedy