Remakes

The art of the remake: 10 films that rival the original

From our UK edition

It takes a certain amount of chutzpah to remake a film that is already considered a peerless masterpiece. Netflix was roundly trashed for attempting it with Rebecca. 'Superficial and slapdash' was the New Yorker’s verdict (one of the kinder ones): 'somewhere between a lukewarm retread of Hitchcock’s original and a glossy Instagram feed'. As for the BBC’s Christmas three-part adaptation of Black Narcissus, not even Diana Rigg in her final role could save it from coruscating comparisons with the 1947 Powell and Pressburger film.  This year will see remakes, prequels and sequels of Top Gun, Cinderella and 101 Dalmations to name but three.

Hollywood loves a remake, but do we?

As the fourth version of A Star is Born packs them in, Mel Gibson is threatening to remake Sam Peckinpah’s classic 1969 Western The Wild Bunch. Film fans are rightly alarmed, but remakes are a reliable way for Hollywood to score at the box office, despite often being wholly pointless. Unfortunately, Gibson has previous convictions in this area. See, if you really insist, his unnecessary and 1999 refurbishment of John Boorman's classic Point Blank, a retread so wretched that it accidentally justified its title, Payback. Boorman’s comment on Gibson’s effort wasn’t exactly diplomatic: Lee [Marvin] finally said to me, ‘OK, I'll do this picture with you on one condition.’ ‘What?

remake