Red pill

Boringly postmodern and an ideological fantasy: Slavoj Žižek reviews Matrix Resurrections

From our UK edition

The first thing that strikes the eye in the multitude of reviews of Matrix Resurrections is how easily the movie’s plot (especially its ending) has been interpreted as a metaphor for our socio-economic situation. Leftist pessimists read it as an insight into how, to put it bluntly, there is no hope for humanity: we cannot survive outside the Matrix (the network of corporate capital that controls us), freedom is impossible. Then there are social-democratic pragmatic 'realists' who see in the movie a vision of some kind of progressive alliance between humans and machines, sixty years after the destructive Machine Wars. In these wars 'scarcity among the Machines led to a civil war that saw a faction of Machines and programs defect and join human society.

Classics takes the Red Pill

There was a time Classicists feared their subject was endangered because not enough people were taking it up. That fear has now been supplanted by anxieties over its manipulation by far-right groups and individuals with insalubrious intentions, like the white supremacist organization that employs images of the Roman gods and heroes to encourage its followers to ‘protect your heritage’. And this is just the tip of the Zuckerberg. In Not All Dead White Men, Donna Zuckerberg examines the abuse of Classics by by those who, in the political equivalent of the perceptual choice in The Matrix, have taken the ‘Red Pill’. Zuckerberg defines Red Pillers as ‘a group of men connected by common resentments against women, immigrants, people of color, and the liberal elite’.

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