Rachel zegler

The evolution of Andrew Lloyd Webber

Unless you have been rock-bound over the last few weeks – or avoiding all social media, which in 2025 amounts to much the same – you can scarcely have missed the controversy over the recent three-night gala staging of the Andrew Lloyd Webber and Tim Rice rock opera Jesus Christ Superstar at the Hollywood Bowl. Jesus, you see, is not played by a white man, as is customary, but Cynthia Erivo, the Wicked star who is black, female and queer. This has not gone down well with traditionalists, but Erivo is one of the most talented singers working today – as well as a fine actress – and so, if the first reviews are to be believed, she blew the roof off the Hollywood Bowl, stealing the show entirely from a starry cast including Adam Lambert and Josh Gad.

Andrew Lloyd Webber (Getty)

Snow White and the seven circles of Hell

Mirror, mirror, on the wall, who is the most annoying of them all? The answer, it seems, is Rachel Zegler, the new Snow White, who has managed to turn herself into an international hate figure because she can’t keep her progressive political views to herself. The upshot is that Disney’s $350 million remake of one of its most famous films is flopping at the box office. It generated $45 million in ticket sales in its opening weekend. That sounds a lot, yet it’s a lot less than other recent Disney adaptations brought in, even including other woke disasters such as 2023’s Peter Pan & Wendy. Reviews of the new Snow White have been overwhelmingly negative, too.

This month in culture: March 2025

With Love, Meghan Netflix, March 4 If there were an award for the year’s least eagerly awaited show, Netflix’s With Love, Meghan would have to be in the running, if not quite the clear front-runner at this early stage of the year. Even the synopsis — “Meghan Markle invites friends and famous guests to a beautiful California estate, where she shares cooking, gardening and hosting tips” — summons up gasps of horror. The footage that has arrived via trailer indicates that this will be as vacuous as an Instagram reel brought to full, unlovely life, with its uniquely dreadful hostess conveying nothing so much as an onscreen vacuum where any kind of charm, grace or likability should be.

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