Portrait

Tuesday

Roger Kimball

The real problem with the Trump portrait

When Winston Churchill saw the portrait commissioned by parliament for his 80th birthday, he called it “filthy and malignant” and said it made him look “half-witted.” The picture, painted by Graham Sutherland, was soon whisked off to Chartwell, Churchill’s estate in Kent. It moldered there unseen for some years before Churchill’s private secretary ferried it to a secluded cottage and burnt the wretched object. Clemmie, Churchill’s long-suffering wife, approved of the conflagration. A similar fate could fall upon Sarah Boardman’s portrait of Donald Trump, which has been hanging in the Colorado Capitol for the last six years. Trump hates that picture, calling it “purposefully distorted” and taking to Truth Social to vent his spleen.

portrait

Thursday

Saffron Swire

Why Alice Neel remains a vital presence

There is no portrait by Alice Neel quite as radical as her own. The artist was one of the first octogenarian women to exhibit a nude of herself with 1980’s “Self-Portrait.” In the painting, Neel grasps her paintbrush and sits exposed at the edge of a blue-and-white striped armchair. There’s no doubt about it; this is a woman of conviction who demands, “Look at me, in all my senescent glory: my silver hair, wrinkled face, sagging breasts, this is a life lived and here are its marks.” It’s only in the last decade or so that Neel has risen from relative obscurity to be acknowledged as one of the twentieth century’s greatest portraitists.

Neel