Peter morgan

Can The Crown redeem itself in its final hours?

Netflix’s royal saga The Crown has been one of its biggest hits of the past few years. Sacrificing subtlety for big, dramatic arcs, with award-winning performances by a cast that has, in a stroke of genius on the part of its creator Peter Morgan, changed every two seasons, it’s been the most gripping and rich account of the post-war British royal family ever put on screen. It has been helped both by an enormous budget and the useful way in which the present-day battles between Prince Harry and Meghan Markle and the rest of the Firm have come to mirror The Crown’s increasingly eventful power struggles among the various branches of the family.

the crown

The Crown season six: a regal return to form?

Say what you like about Netflix’s The Crown, now coming into its final series — the first four episodes launch on the service today, with the concluding half-dozen coming next month — but it is one of the few shows that has combined winning truckloads of awards with compelling its viewers to have an opinion on its often surprising manipulations of history. Its creator Peter Morgan has been both praised and vilified for the liberties with fact he has taken, all of which he has dismissed on the grounds that he is creating fact-based entertainment, rather than a documentary series. That invention can often illuminate, rather than obscure, the workings of the forever secretive British royal family.

the crown diana

A subtly mournful Crown lands in the post-Elizabeth era

Nobody ever expects Peter Morgan’s royal soap opera The Crown to deliver unfettered accuracy, but even by its own standards, the fifth series has taken a battering in the British press. Former prime ministers John Major and Tony Blair — both of whom are depicted this time round — have come forward to denounce the scenes in which they appear as "injurious and untrue" (Major) and "complete and utter rubbish" (Blair). There has even been pressure on Netflix, as yet unbowed to, for each episode to feature a disclaimer stating that it is a work of fiction. The cynical might argue that politicians and actors — step forward, Dame Judi Dench — savaging a streaming service’s flagship show is the best imaginable publicity for it.