From Evelyn Waugh to Elizabeth Day, The Spectator's enduring place in fiction
There are decades when The Spectator is shorthand for a trait: sex (2000s), young fogeys (1980s), free trade (1900s). But I was surprised to find Henry James, a writer not given to shorthand, deploying the magazine’s name to give a sketch of Isabel Archer, the title character of his Portrait of a Lady: ‘She had had everything a girl could have: kindness, admiration, bonbons, bouquets, the sense of exclusion from none of the privileges of the world she lived in, abundant opportunity for dancing, plenty of new dresses, the London Spectator, the latest publications, the music of Gounod, the poetry of Browning, the prose of George Eliot.’ ‘That half-page is
