Notes

To read Albert Camus’s Notebooks – comprehensive, newly translated and expertly annotated by Ryan Bloom – is to enter the engine room of the writer’s mind and to glimpse its complex workings and components stripped back to their essentials. They comprise an intellectual and spiritual autobiography, not an account of his life. But of course they contain seductive vignettes lifted straight from experience among the aphorisms, observations, drafts and schemas for writings, stitched together in a collage that reflects a remarkably agile mind in constant motion. The Notebooks bring to mind the fertile chaos of an artist’s studio. Think of Francis Bacon’s, filled with prompts and reminders, the raw rubble