New York Fashion Week

How Clavicular’s ‘looksmaxxing’ took over New York Fashion Week

Elena Velez’s F/W 2026-27 New York Fashion Week show centered on “looksmaxxing”: the internet-inspired pursuit of physical perfection at any cost. The runway presentation examined a generation raised under fluorescent ring lights and the judgment of the social-media algorithm. And she capped the night off with a feature from Clavicular, one of the X algorithm’s current favorite characters. Velez, still in her early thirties, stands out as one of the few designers fluent in the language of the internet. The cultural current is dominated by self-optimization taken to its logical extreme. Faces are flattened into grids, bodies are dissected by comment sections, desirability is quantified in followers, likes and engagement rate. Looks run the show, now more than ever.

elena velez clavicular

New York Fashion Week’s shimmer feels noticeably dimmed

Crossing streets with lattes in hand, camera lights flashing, perfectly curated outfits meant to be noticed, and a crisp chill in the air means one thing: New York Fashion Week has arrived. The September Fashion Week has long stood as the pinnacle of American fashion prestige. As the leaves turn red and brown, style photographers capture eclectic ensembles in motion, A-listers march through the streets and assistants carefully place nameplates on front-row seats beside pristine runways. But this year the week’s shimmer feels noticeably dimmed. The big names still show up – Michael Kors, Calvin Klein, Tory Burch. But in recent years they’ve been eclipsed by smaller, edgier and distinctly New York-based designers.

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