Michael keaton

This month in culture: September 2024

Slow Horses, season 4 Apple TV+, September 4 Apple TV+’s adaptations of Mick Herron’s excellent espionage novels, led by Gary Oldman on magnificent form as the belching, flatulent, brilliant Jackson Lamb, have quietly become the streaming service’s MVP, and their strong showing in this year’s Emmy nominations has reinforced the company’s continued faith in the unmissable series. This fourth installment, based on Herron’s novel Spook Street, guest stars the ever-excellent Hugo Weaving as a mysterious interloper with a close personal connection to Jack Lowden’s bratty Bond-in-training River Cartwright. Expect the usual mixture of big laughs, shocking twists and high-octane action scenes.

Culture

With Flamin’ Hot, Hollywood again makes a hero of the businessman

It always used to be that, in Hollywood movies, big business was seen as a force for ill rather than good. Leaving aside that the films themselves were financed by giant studios hellbent on making a profit, such classics as Frank Capra’s It’s a Wonderful Life and Charlie Chaplin’s Modern Times firmly took the side of the individual against the system and presented the corporate world as a faceless and uncaring one — if, that is, it wasn’t simply a criminal one altogether, as best expressed by Lionel Barrymore’s sneering robber baron Potter in Capra’s film. Today, things have changed immeasurably.

flamin’ hot

Why do films get canceled?

Although it’s not exactly my cinematic bag, I understand why people were looking forward to Batgirl. It is a superhero film (as so many are these days), but with a potentially interesting female lead, namely Barbara Gordon, aka "Batgirl," the daughter of Commissioner Gordon, Batman’s ally. The film attracted a starry cast, including J.K. Simmons as Gordon, Brendan Fraser as the sociopathic antagonist Ted Carson, aka "Firefly," and Michael Keaton gamely reprising his Batman role. It cost $90 million, was directed by the filmmakers responsible for the surprisingly entertaining Bad Boys For Life, and might have been expected to be a modest box office hit: at the very least, it should have provided a couple hours of undemanding entertainment.

The Democrats put on a January 6 pageant

The best comedies always begin on a note of solemnity. Charlie Chaplin’s The Kid opens with an unwed mother driven to abandon her newborn. Buster Keaton’s The General opens with news arriving in Marietta, Georgia, that the South has fired on Fort Sumner and the Civil War is on. Thus did Congressman Bennie Thompson open Thursday's January 6 Pageant with a solemn story about the "conspiracy to thwart the will of the people," in which an insurrection "put two and a half centuries of constitutional democracy at risk." He was followed by the even more solemn Liz Cheney, who promised a thrilling line-up of testimony that will prove beyond the shadow of a sunspot that Donald Trump planned the whole thing. Well, maybe so.

January 6 Committee

Hollywood has a school violence problem

Streaming services have a school violence problem. For all the hand-wringing and anti-gun stances actors love to indulge on social media, their industry has no problem glorifying the very terror they claim to condemn. Two such cases came last week, right after the Uvalde school shooting that left twenty-one people dead, nineteen of which were schoolchildren. On Friday May 27, three days after Uvalde, the fourth season of Stranger Things premiered on Netflix with an opening scene of mass child death, apparently at the hands of the show’s protagonist, Eleven, in a flashback. Several kids' corpses lie on the floor with smears and pools of blood around them. The streaming service added a disclaimer at the beginning of the season specifically referencing the incident in Texas.

stranger things school