Michael caine

RIP, Dame Maggie Smith

The death of Dame Maggie Smith at the age of eighty-nine represents not just the end of a very English tradition of acting that she exemplified, but a passing of a generation. With the exceptions of Judi Dench and Eileen Atkins, there are no few grand dames of British stage and screen surviving; there is a distinct difference between, say, Smith and Helen Mirren, who pivoted early to the cinema and has largely remained there ever since. Smith was a consummate actress for film — she won two Oscars and was nominated for plenty more — but it was the smaller environs of television and stage where she truly excelled. A misapprehension about Smith is that she was a camp, OTT presence. This impression is largely derived from her latter-period work in Gosford Park (in which she was superb..

maggie smith

A James Bond film with added physics no one understands: Tenet reviewed

From our UK edition

Tenet is the latest high-concept, time-bending blockbuster from Christopher Nolan and it’s the film that (unofficially) reopens cinemas in the UK. It has everything that fans of Inception or Interstellar might want. There are spectacular set pieces. There’s time going forwards and then reversing, so it’s bullets flying back into the gun as crashed cars right themselves. There is a relentlessly pounding soundtrack. There is Sir Michael Caine playing Sir Michael Caine — his character is called Sir Michael Crosby but I wasn’t fooled — and as for the plot? Incoherent. Which fans seem to like. (‘I can’t explain any of it but it’s genius,’ I heard one say on the radio the other day. ‘A masterpiece.

Perfectly serviceable – at points even charming: Four Kids and It reviewed

From our UK edition

This film contains flying children, time travel and a sand monster that lives under a beach — yet the most incredible thing of all is that a family get to go on holiday. They actually leave their house, drive down an actual motorway, rent an actual seaside cottage and go for actual walks, passing well within two metres of actual other people! And not once do Derbyshire police film them with a drone, then post intimidating footage of it on the internet. The movie’s producers couldn’t have known they’d be releasing their creation into a locked-down world, but now that they have, who’s to say more people won’t watch it at home than would have watched it at the cinema? We are literally a captive audience.