Mass shooters

Robin Westman and the unstoppable tide of ‘slop violence’

On Wednesday, doing my laundry, I decided to turn on the TV for the first time in decades. Breaking news: a school shooting in Minnesota. It’s been years since a story like this made me cry. How could you cry at every mention of gun violence when you live in a place like the Midwest? I have been aware of gun violence in schools since I was a child myself. I remember first hearing about a school shooting when I was six years old. A little boy had shot his sister. I cried and cried and cried – I cried for the child that died, and I cried for the child who’d killed her. It remains one of my most traumatizing memories. The last shooting that made me cry was Sandy Hook. I was at dinner when a friend showed me Adam Lanza’s photo on his phone. Twenty first-graders dead.

robin westman

A nation of lone wolves

Ten years ago today, Adam Lanza murdered twenty-seven people in Sandy Hook, Connecticut: his mother, six educators, twenty first-graders. Then he shot himself. Speculating about what might have motivated Lanza to commit an atrocity of this scale was difficult in 2012. What information was available about Lanza was sparse; what we did have was difficult to make sense of. A bug-eyed photo of him. A single mother who loved guns. A crazy, isolated kid — maybe it was the medication? There was very little to weave a story out of. It was haunting; it was horrifying; but it made no sense. There was no ready-made narrative for a twenty-year-old who could step into a first-grade classroom and open fire. There was nothing we could compare it to. Mental health, probably. Guns, probably.

adam lanza sandy hook

Salvador Ramos and our crisis of masculinity

There's a well-done, nasty piece of filmmaking available on Hulu right now called Pistol, ostensibly a Sex Pistols biopic but so much more. The series is only partially about the Pistols themselves and more about the post-war Britain that formed them. Pistol seems to suggest that all that anger and despair was going to have to come out somewhere, either repressed and hidden, crunched deep down inside, or allowed to lance out as "music," more screaming than lyrical. I wonder if America isn't somewhere similar. Post-war Britain was a terrible place to grow up.

salvador ramos