Maggie gyllenhaal

Lost in translation

Picture the scene: a twenty-something college student, desperately trying to impress a girl he’s met for a date. He's early, but that isn’t a problem as it gives him a chance to sit nonchalantly with his ever-so-artfully-battered paperback. It’s Rimbaud’s Collected Poems: intellectual, sensual, rebellious — everything he wants to be perceived as. He props the book up so that the poet’s name is visible and waits for his delicate intellectualism to be applauded. The only thing missing from this tableau is the name of the poems’ translator, assuming that the student isn’t pretentious enough to be carrying around the original French. A smaller name on the fragile paperback, the translator is generally unmentioned, forgotten, and obscured.

translation

Entirely gripping: The Lost Daughter reviewed

From our UK edition

The Lost Daughter is an adaptation of the Elena Ferrante novel about motherhood that says, quite ferociously: it’s complicated. And: mothers aren’t necessarily motherly, and can feel ambivalence. You’d think it was unfilmable, particularly as the central character describes herself as someone even she doesn’t understand but, directed by Maggie Gyllenhaal — it’s her directorial debut — and starring Olivia Colman, this film is entirely gripping. No ambivalence on that count. https://www.youtube.com/watch?v=xNq9YOfL0Zs Colman could play a bedside table and somehow bring depth, feeling, an internal landscape It is carried by Colman who is tremendous, and is being tipped as a potential Oscar winner, if that matters.