John Williams

The Jurassic series is ready for its asteroid

The third — and apparently final, if rumors are to be believed — Jurassic Park film arrived in American theaters last weekend. Entitled Jurassic World: Dominion, one of those meaningless names that looks good on a poster, it was released to critical scorn: “the last time dinosaurs were subjected to a disaster this bad, an asteroid was involved” was a typical comment. Although Dominion opened to a mighty $145 million at the box office, terrible word of mouth is likely to see the gross plummet before very long. This is very much not a Top Gun: Maverick situation, where the most unlikely people have found themselves raving about a brilliant film. This is a bad, generic summer blockbuster, and it will be forgotten in due course, like all bad, generic summer blockbusters.

Is Hans Zimmer a genius or a charlatan?

If you have visited a cinema in the past two decades, you will know the work of the film composer Hans Zimmer. Since he emerged in 1988 with his score for the Oscar-winning film Rain Man (he recently won his second with Dune, among twelve total nominations), Zimmer has created the music for more than a hundred films, television series and other multimedia projects. His eclecticism both startles and amuses. He is surely the only person alive to have collaborated with the reclusive director Terrence Malick (on The Thin Red Line) and to have composed music for a soccer-based video game, FIFA 19. He has scored romantic comedies, sweeping epics, cartoon animations and thrilling action films.

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