John david washington

Friday

Stephen L. Miller

Elon Musk makes it up as he goes

Since Elon Musk’s takeover of Twitter, the script has been flipped. Pontificators at all points of the ideological spectrum are spinning to figure out what his intentions are with the platform and how that pertains to platform moderation going forward. Musk is seemingly making up Twitter policy on the spot by tweet — and then asking his team to come up with a justification post-tweet. This has happened on several occasions. His actions all came to a head Thursday night when Twitter, apparently under the direct instruction of Musk, suspended the accounts of several high-profile journalists from the New York Times (Ryan Mac), the Washington Post (Drew Harwell), the Intercept (Micah Lee), Mashable (Matt Binder), Voice of America (Steve Herman) and CNN (Donie O’Sullivan).

elon musk

Friday

John Ehrett

Amsterdam explores friendship in a complicated world

David O. Russell is one of a small handful of directors whose involvement with a project is enough to get me to see it immediately. From the offbeat energy of Silver Linings Playbook to the tangled period drama of American Hustle, his films are tightly edited and always thick with talented actors. Amsterdam, his latest, is no exception. While it’s thematically fluffy and periodically tends toward the indulgent, it's never anything less than entertaining. There are far worse ways to spend a few hours, especially in the midst of a cinematic drought. Picking up in 1933, Amsterdam is the tale of two injured World War I veterans, slightly disreputable doctor Burt Berendson (Christian Bale) and successful attorney Harold Woodman (John David Washington).