Jeffrey archer

We have a true book-loving Queen – and she is a marvel

From our UK edition

Shepherd Market, W1, has many ghosts, some of whom are literary. In the shadow of Patrick Leigh Fermor’s former digs – the scene of ‘wild and continuous’ parties in the summer of 1933 – Heywood Hill has just celebrated 90 years of bookselling. In today’s Republic of Letters, we have a true book-loving Queen and she is a marvel. To mark Heywood Hill’s anniversary Her Majesty graciously toured our tiny shop. She talked about her love of all kinds of books (The Cazalet Chronicles in particular) and gamely joined Jerry Vinalon and Jay Lomot, our splendid professional book-packers, in helping them gift-wrap parcels. She signed a postcard which one lucky book subscriber should find in their next package. Not every customer is so fortunate.

The remorseless rise of Jeffrey Archer’s mafia

From our UK edition

Much ink was spilled during the Cameron years about CCHQ's A-list efforts to get more top talent from a range of diverse backgrounds into the Tory parliamentary party. But now it belatedly transpires one man foresaw the future and was nursing his own crop of rising stars before it was fashionable – onetime MP turned novelist Jeffrey Archer. The octogenarian author popped up on Times Radio on Sunday to offer his thoughts on the issues of the day. Mr S was interested to hear Archer telling host Gloria De Piero that no less than six of the members of the organising committee of his 2000 London mayoral bid – which ended somewhat ignominiously after he was accused and then convicted of perjury – are now leading Tory MPs.

I regret my bust-up with the Bee Gees: Clive Anderson interviewed

From our UK edition

‘The really tricky thing,’ says Clive Anderson as we discuss the topic of being recognised in public, ‘is when they say, “I love your programmes —that thing you did with Margarita Pracatan…” Do I say now that that wasn’t me? Because if you let them carry on about how they loved your Postcards From…, and the Japanese game show, and then you tell them, they get very indignant and say, “Well, why did you let me give you all that praise?”’ It’s easy to understand the mistake in the abstract — indeed The Spectator’s arts editor made it himself in his email to me: ‘Could you interview Clive James for us?’ (If I could manage that, Igor, I wouldn’t be writing for a living.