J.d. vance

Why Trump haters have set their sights on J.D. Vance

The progressive left has a bullseye on J.D. Vance. Ever since he announced his run for the US Senate in Middletown, Ohio last week to replace retiring Republican Rob Portman, the media has been bashing him. The Daily Beast claims he’s 'an avatar of GOP corruption’ and is upset that he mentioned Jeffrey Epstein and John Weaver as sex predators (the author says that’s a QAnon conspiracy!), while New York magazine says Vance’s campaign 'feels doomed’ less than 24 hours after he made his announcement speech in front of a pumped-up crowd of around 500. The liberal press is joined in its opposition to Vance by the anti-Trump ex-Republicans at the Lincoln Project, which spent close to $100 million against Trump last year.

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Is J.D. Vance the right man for the right?

J.D. Vance is the man Republicans have been praying for since the day Donald Trump stormed to the party’s presidential nomination five years ago. He has a lot of the traits conservatives liked about Trump: Vance, too, is a political outsider with proven appeal to an audience beyond politics, thanks to his bestselling memoir Hillbilly Elegy. Like Trump, Vance offers himself as an avatar for the people who have been discarded by globalization and demonized by a left-wing media and education establishment. And he is as radical as Trump — maybe more so — in his willingness to reject the merely liberal side of American conservatism. Trump defied elite orthodoxy on trade and immigration. Vance adds proposals to curb the tech companies and tax Ivy League endowments. But if J.D.

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Like a never-ending episode of The Jerry Springer Show: Hillbilly Elegy reviewed

From our UK edition

Hillbilly Elegy is an adaptation of the best-selling memoir, published in 2016, by J.D. Vance and it’s quite a story. He was brought up in the American rust belt amid poverty, violence, addiction, trash heaps, burning cars, hopelessness and, on top of all that, a grandma who, we now know, was the spit of Catherine Tate’s Nan. (It’s Glenn Close, but check it out.) Still, if you can get past Nan — if, if — this film should be an emotionally stirring and moving account of, ultimately, achieving the American dream. (Vance went on to Yale and became a successful investment banker.) But as directed by Ron Howard it isn’t any of that. Instead, this is like being trapped in a seemingly never-ending episode of The Jerry Springer Show.