Harlem

Late one January night in 1945, a young black man stumbled drunkenly toward Broad Street Station in Philadelphia. He was exhausted after playing a long set in a grotty club half a mile away. The naturally nervous musician often used alcohol to settle his unbearable over-excitements and debilitating despairs. On this occasion he had one too many. His awkward gait caught the attention of two policemen. They went to shoo him away, but instead of escorting him peacefully along, something about the twenty-year-old vexed the pair and they began to bash him about the head repeatedly with their truncheons. When the seriousness of his injuries became apparent, after he’d been slung into a frozen cell, he was taken to a hospital to recuperate.

Few artworks could be more responsive to the current upheaval than Jacob Lawrence’s 1954-56 series ‘Struggle...From the History of the American People’. Painted during the dawn of the Civil Rights movement, the cycle of 30 panels tells a history of the American Founding through punchy modernist vignettes, engaging with timely and timeless topics such as brutality, race, memory, justice and our shared national heritage. At the Metropolitan Museum of Art, 24 of the original panels have been reunited for the most complete exhibition of the series since its original showing more than six decades ago. The exhibition will travel to Birmingham, Seattle and Washington, DC from New York.