Grammy Awards

How mediocrity took over the Grammys

Is music getting worse? Rick Beato is a musician, producer and critic with more than five million YouTube subscribers. His answer would be: yes, pretty much. In a recent video, he compares the 2026 Grammy Song of the Year nominees to those of 1984. There are a few bright sparks among the slate of new songs, but Beato regards most of them as derivative, unoriginal and unlikely to be remembered past the end of the awards show. In contrast, 42 years on, all the 1984 nominees – Michael Jackson’s “Beat It,” The Police’s “Every Breath You Take” and Lionel Richie’s “All Night Long” among them – are firmly embedded in the popular music canon. One could ask the same question about science: has it gotten worse? My answer, I have to say, reflects Beato’s for music.

Duets, arrests, comebacks and snubs: inside the 2024 Grammys

The various film and TV awards ceremonies so far this year have been a predictable round; there have been few surprising winners, and the events both on-stage and off have largely been well-behaved and respectable. All hail, then, to the Grammys, which has managed to take conventional expectations of what an awards show should be and has subverted them considerably, combining everything from a transcendental comeback by one of music’s greatest stars to one of the night’s winners being dragged off by police in handcuffs. First things first though: the Grammys represented yet another victory for Taylor Swift, a woman who, at this rate, is going to become TIME’s person of the year for a second year in a row.

tracy chapman grammys