Gore vidal

Caligula’s second wind

Imagine, if you will, that you are a patron of what used to be euphemistically called “blue movies” at the beginning of 1980, during the so-called “Golden Age of Porn.” The previous few years have seen pornography enter the mainstream in the form of such hugely popular pictures as Deep Throat and Debbie Does Dallas, which saw such stars as Linda Lovelace and Marilyn Chambers briefly achieve nearly the fame (or notoriety) of their Hollywood peers, as their films came close to becoming, if not respectable, at least part of the cinematic fabric of the day. Then you hear tell of something truly remarkable: a big-budget Roman epic with an A-list cast, scripted by Gore Vidal and combining intricately recreated scenes of classical debauchery with envelope-pushing sexual content.

Caligula

Remembering Gore Vidal

From our UK edition

Fourteen years ago, my then boss, Matt d’Ancona sent me off to interview Gore Vidal. I’ll always be grateful to him for the opportunity. D’Ancona could have gone to meet the great man himself, but he knew I was a fan so he let me go. Is there anything hopeful in American politics then? I asked Vidal towards the end of our enjoyable but pretty dispiriting evening in Claridge's. I recorded his response as follows: ‘No,’ says Vidal.Anything good about the American people? ‘Not really.’How do you see the future of America panning out? ‘It panned out already, it’s sinking.’ Can anything be done to save it? ‘I don’t give a f***,’ says Vidal and orders another whisky and soda.

The fire and fury of America’s abortion debate

From our UK edition

I wonder at times how some of my fellow hacks in America get out of bed in the morning. The leak of a draft of a Supreme Court decision on abortion rights last week prompted what can only be called a collective nervous breakdown. ‘My teeth have been chattering uncontrollably for an hour,’ New York magazine’s Rebecca Traister vented. ‘Bodies/minds are so weird. Like, not euphemistically – actually chattering. Audibly. And full shaking body. Though otherwise wholly, rationally, well and truly expecting it.’ Well, I wouldn’t say wholly rational, Rebecca, but you do you. The terrifying ruling would send the abortion issue back from a single court to democratic debate and discussion – where it is in every other western country.

Artless, crude and thuggish: Bridge Theatre’s Book of Dust reviewed

From our UK edition

Philip Pullman’s The Book of Dust has been adapted at the Bridge. The yarn is set in Oxford, and the surrounding countryside, and the whole of the first act is devoted to exposition because Pullman’s fantasy world is impenetrably complicated. The chief character, a dim-witted child, wanders around the place and listens while terms like ‘magisterium’, ‘alethiometer’ and ‘daemon’ are explained to him. Meanwhile we’re introduced to Pullman’s range of human personalities. He can do two: first, the ooh-arr yokel who is thick but kind, and secondly, the posh academic who is clever but evil. These archetypes give rise to a total of 32 characters who are represented by 16 actors. A lot of simplification was needed here.

Why night-clubbing in New York is a risky business

From our UK edition

New York The acerbic writer Gore Vidal was once asked which period of history he would choose to have lived in. ‘The 17th century with penicillin,’ was his answer. It was a good sound bite but I don’t agree. Just the smells back then would be enough to kill me, and what about the people without teeth? And the plague of 1665 makes today’s virus seem like a slight head cold. Personally, I’d choose post-second world war New York City, as described in Jan Morris’s wondrous Manhattan ’45. I got there three years later, to Manhattan, that is, and the place was as fabulous as I had heard and imagined it as a child. Beautiful limestone skyscrapers lined the wide avenues, men and women were dressed to the nines, and the place reeked of wealth and power.

Trump’s Art of the Executive Order

The Executive Order is political weakness at its most powerful. The spectacle of Donald Trump adding his Sharpie-stroke to the catalogue of puissant signatures confirms the United States’ slow but steady drift from a Romanesque republic to Roman-lite empire. Trump was supposed to be better, or at least different.The wisdom of the day has it that the business of America is business, even when, as in healthcare, that business is thoroughly corporatized. Who better to negotiate through the paralysis of Congress than a commercial deal-maker, a splitter of the difference, a washer of one hand with the other?

executive order