Glass

Drinking 2009 Mouton Rothschild at Butterworth’s

I have always wondered whether The Compleat Angler, Izaak Walton’s piscine classic, would have enjoyed its wide and longstanding recognition absent the antique spelling “compleat.” I somehow suspect that a book titled The Complete Angler would not have made the same impression, especially on modern readers. First published in 1653, the book went through many editions in Walton’s life and after. It is a charming, leisurely guide, “not unworthy,” as its original title page observed, “the peruſal of moſt Anglers.” (Those long “s”es add a little something, don’t you agree?) It is said that Walton, a staunch anti-Cromwellian, good fellow, was particularly fond of the saying “Study to be quiet.

There’s nothing shameful about hypochondria

From our UK edition

The hypochondriac is the butt of jokes. Even his butt is the butt of jokes. A story doing the  rounds in the 16th and 17th centuries concerned a Parisian glassmaker who, believing himself to be also made of glass, fastened a cushion to his buttocks in case they broke when he sat down. His anxiety was mocked by a character in a play called Lingua, Or the Combat of the Tongue: ‘I am a Urinal, I dare not stirre,/ For fear of cracking in the Bottome.’ The aim of A Body Made of Glass is to take hypochondria, or ‘illness anxiety disorder’, seriously. But in a moment of levity, Caroline Crampton compares laughing about hypochondria to laughing about farts being made visible ‘like soap bubbles in the air’.

Exquisite and deranged: two glass exhibitions reviewed

From our UK edition

A ‘Ghost Shop’ has appeared between Domino’s Pizza and Shoe Zone on Sunderland High Street. Look through the laminated window glass and you’ll see more glass: glass shop fittings, a glass cheese plant, a glass pedal bin spilling disposable glass cups, glass chocolate wrappers and glass betting slips littering the floor. Ryan Gander likes the fact that there’s no explanation of his see-through betting shop: ‘If you tell everyone it’s a contemporary art project, they’d run away.’ Gander is one of four artists commissioned by Sunderland’s National Glass Centre to make works inspired by the history of the north-east.