Glamour

Tuesday

Chloë Ashby

Learning the art lingo: the people, periods and -isms

From our UK edition

When she first starts working as a security guard at the Guggenheim Museum in New York, Bianca Bosker is so bored that she prays someone will touch the art. ‘Do it, I urged silently from my spot by the wall. Do it so I can tell you not to.’ She’s to stand for hours on end, staring into space, reporting anything that could pose a threat. On the first day she radios her supervisors to alert them to a stray leaf: ‘Not exactly a suspicious package, but I needed something to interrupt the tedium.’ Wheedling your way into a self-contained world about which you know next to nothing is no mean feat The job is one of several Bosker picks up in her quest to understand why art matters.

Tuesday

Diego Andaluz

Babylon is a gloriously magnificent and bloated epic

Quiet in the feature film world since the 2018 release of First Man, Damien Chazelle returns to the Hollywood-centric beat that brought him success in La La Land for Babylon, perhaps his most ambitious film yet. Opening in a raucous Hollywood party at the height of the Roaring Twenties, through a series of tracking shots, Chazelle introduces us to the three central characters of the film. Manny Torres, played by Diego Calva in his breakout role, attempts to navigate the atmosphere as an aspiring, wide-eyed Mexican immigrant who dreams of leaving his lowly assistant work to become something more. This allows Manny to serve as the surrogate for the audience.

Tuesday

Cockburn

Nikole Hannah-Jones and 1619, Inc.

The New York Times’s 1619 Project is meant to be all about details that, it alleges, were ‘conveniently left out’ of America’s ‘founding mythology’. But should its Pulitzer-winning curator, Nikole Hannah-Jones, worry more about the details she’s been slipping in? And what’s the relationship between the Times’s 1619 Project and 1619 Enterprises, a company for whom Hannah-Jones’s techie partner, Faraji has supposedly worked? When she's not explaining how destroying property isn't violence on national television or circulating conspiracy theories about fireworks, Hannah-Jones is giving puff interviews, like this one to Glamour in May, in which she endorsed some of her favorite products.

nikole hannah-jones