The glorious rebirth of Brendan Fraser
At this year’s Venice Film Festival, it was widely agreed that the best male performance was given by none other than Brendan Fraser in the new Darren Aronofsky film, The Whale. Based on a play by Samuel D. Hunter — who also wrote the screenplay — it has nothing to do with Moby-Dick or any other watery protagonist. The title instead refers to Fraser’s character Charlie, a 600-pound middle-aged man who is determinedly eating himself to death, even as his family and friends attempt to break through the walls of pain that he has meticulously constructed for himself. The film itself has received mixed reviews, with some critics praising it and others describing it as manipulative and cheap.