George bernard shaw

Monday

Alec Marsh

How to save the King’s English

When a survey of 10,000 teachers revealed this month that Britain’s primary school pupils are increasingly relying on Americanisms (the Times front page declared ‘Trash-talking children are sounding like Americans’) I realised immediately what we needed. Rex Harrison. And if not Rex Harrison himself, then a dose of arguably his greatest role – that of Henry Higgins, the cantankerous professor of phonetics who first burst into the national consciousness in 1914 with the London premiere of Pygmalion. Alas, more than 100 years on, the essential truths in George Bernard Shaw’s now near unperformable play about the dire social harm caused by entrenched illiteracy and its consequences on speech (upon which,

Thursday

Lloyd Evans

Provocative, verbose and humourless: Mrs Warren’s Profession reviewed

George Bernard Shaw’s provocative play Mrs Warren’s Profession examines the moral hypocrisy of the moneyed classes. It opens with a brilliant young graduate, Vivie Warren, boasting about her dazzling achievements as a mathematician at Newnham College, Cambridge. She explains her future plans to a pair of mild-mannered chaps who clearly adore her. Like most of Shaw’s characters, Vivie is hard-nosed, emotionally cold, incapable of speaking concisely and boundlessly self-confident. Quite irritating, in other words. She plans to start a firm with another hyper-brainy female and to make a killing in the London insurance market. This occurs in 1902. Was it normal for two unmarried Edwardian women to enter the world

Wednesday

Lloyd Evans

As gripping as an Agatha Christie thriller: Shooting Hedda Gabler, at the Rose Theatre, reviewed

The unlovely Rose Theatre in Kingston is a modest three-storey eyesore. The concrete foyer looks like an exercise area on a North Sea oil platform, and the auditorium itself is a whitewashed rotunda that resembles the chapel in a newly built prison. Yet this cheerless, functional space is perfect for a mischievous new satire, Shooting Hedda Gabler, about recent developments in the acting trade. The central character, Hedda (Antonia Thomas), is a washed-up American starlet who wants to gain artistic credibility by taking the lead in a pretentious film version of Hedda directed by Henrik, a tyrannical Norwegian auteur. ‘There is no script,’ he announces on the opening day. But

Thursday

Travis Elborough

The folly of garden cities

In his 1981 autobiography A Better Class of Person, the playwright John Osborne described an encounter he’d recently had with an actor who’d bought a house in Finlay Street, Fulham for £15,000. Osborne, having lived on the same street in the 1930s when properties there changed hands for £300, was astonished by the sum. Yet, as Simon Matthews notes in House in the Country, £15,000 was then only 3.5-3.75 times the average national earnings, while to buy a house on Finlay Street today you’d need £2,136,667 – which works out at 69 times the current average annual salary. In the light of the government’s recent proposal of a ‘benefits to