Galway

Tales of quiet intensity: The News from Dublin, by Colm Toibin, reviewed

Colm Toibin is a master of understatement, his work characterised by great emotional intelligence coupled with redoubtable restraint. This is his third anthology of stories, following Mothers and Sons (2006) and The Empty Family (2010). He fills the gaps between words – what he doesn’t say – with as much meaning as the prose. Familiar themes emerge. There is the Irish diaspora in the US (as in Brooklyn and Long Island); the Catalan Pyrenees (the setting for ‘The Long Winter’ in Mothers and Sons); and Argentina (as in the novel The Story of the Night). Feelings of exile and being an outsider are aroused, while Catholicism still taps on the

Is there any better place for an EU-subsidised arts festival than Galway?

I was still digesting my delicious breakfast (kippers, poached eggs and soda bread — all local) when the sad news reached our party of freeloaders (sorry, I mean distinguished international journalists): a force ten gale was blowing in, so tonight’s opening ceremony on the headland by the harbour had been cancelled. ‘Ah well, let’s go and get drunk,’ said my new friend Shane. So we did. Galway is this year’s European Capital of Culture and, while Brexiteers may welcome their liberation from this perennial EU shindig, if you’re going to stage a state–subsidised arts festival anywhere then Ireland’s liveliest little city is probably the best place, despite the frequently filthy