Francisco Goya

On holiday with Goya

When I’m first invited to a sojourn in Madrid to learn about the life and work of Francisco Goya and the conservation work of Factum Arte, I’m thrilled but also a little apprehensive. While art-themed travel is right up my street and I live a mere train trip from the Spanish capital, Goya’s work is known for being a little, well, dark – particularly during his later years. As a fan of the Botticellis of this world, spending a few days with the artist famous for his "black paintings" was not something I was sure I’d enjoy.  And yet, three days later, as I stand in front of Goya’s grave in La Ermita de San Antonio de la Florida, I find myself moved in a way I never could’ve anticipated.

Goya

What the Old Masters can teach us about contemporary life

The seventeenth-century Dutch painter Johannes Vermeer is certainly having a moment, thanks to the enormous popularity of the retrospective of his work that concluded at the Rijksmuseum in June. Demand to see the gathering-together of twenty-eight of the thirty-seven currently known paintings by the Old Master far outstripped supply; the show sold out within two days of opening, and scalpers were allegedly reselling tickets online for hundreds, even thousands, of dollars. It’s certainly not difficult to understand why people would flock to see Vermeer’s work, thanks to his beautiful brushwork and sensitively lit compositions.

old masters