Filmmaking

The filmmaker Cameron Crowe had the coolest childhood. Growing up in California, he started writing for Rolling Stone magazine at the age of 15. His big break came in 1973, when he had the chance to interview the Allman Brothers Band, then one of America’s biggest rock groups, for a cover piece.  For days he tagged along with the rockers on tour, winning their trust with his passion for music and open, honest, moon-shaped face, while phoning his mother every evening to assure her that he wasn’t taking drugs. Finally he earned an interview with the troubled Greg Allman himself, who, shirtless on a bed, spoke about the loss of

‘He was the true Willy Wonka of film-making – I feel like I won the golden ticket getting the chance to work with him!’ The speaker is Lara Flynn Boyle, who played Donna Hayward, the friend of the murdered Laura Palmer in David Lynch’s small-screen masterpiece Twin Peaks. That comparison, cited in John Higgs’s terrifically lucid and compact study of the filmmaker, who died in January, aged 78, is rather brilliant. Plenty of actors might feel they’ve won a golden ticket in getting to work with some famous director, but none of those others get to be described as Willy Wonka: a genius with a dash of eccentricity, enclosed in