Film

Review: Godard Mon Amour

It is now fifty years since the événements of May 1968, when young Parisians lobbed onobble stones at the police, occupied the Sorbonne, and launched the Boomers’ long march through the institutions. That makes it fifty years since Jean-Luc Godard lost the plot—never a good idea if you are a film-maker. Godard has made plenty … Read more

The subtly savage world of filmmaker Ruben Ostlund

There is a culty YouTube video shot three years ago on the laptop camera of Ruben Ostlund. It shows the film director listening live as the nominations for the Academy Awards are announced from Los Angeles. The tension mounts as they approach the foreign film category. Alas, Force Majeure from Sweden isn’t nominated. Ostlund disappears … Read more

Hammer horror

You Were Never Really Here is a fourth feature from Lynne Ramsay (Ratcatcher, Morvern Callar, We Need to Talk About Kevin) and the first thing to say is that it is exceptionally violent. I don’t say this disapprovingly but if your threshold for violence is as low as mine — I incurred a paper cut … Read more

I, Tonya is not quite a gold-medal masterpiece

Films about the Winter Olympics don’t grow on conifers. Twenty-five years ago there was Cool Runnings about the Jamaican bobsleigh team. It took many years for Eddie the Eagle to reach the screen. Both were cockle-warming comedies about implausible Olympians who embody the ideal that participation is all. Only last week Elise Christie, the British … Read more

Wonderfully fixating and wholly non-formulaic: Phantom Thread reviewed

Paul Thomas Anderson’s Phantom Thread is a lush psychosexual drama starring Daniel Day-Lewis as a pampered, tyrannical, pernickety 1950s couturier whose life is disrupted when he falls for a waitress who, in the most unexpected way, proves his match. It is a wonderfully fixating film in every respect, and wholly non-formulaic. And it miraculously transforms … Read more

Downsizing throws away its brilliant premise

Downsizing is a film with the most brilliant premise. What if, to save the planet, we were all made tiny? What if we only took up a tiny amount of space and flew in tiny planes and produced tiny amounts of rubbish? And what if we could live in the sort of mansions that would … Read more

You just can’t argue against Hanks and Streep: The Post reviewed

Steven Spielberg’s The Post, which dramatizes the Washington Post’s publication of the Pentagon Papers in 1971, doesn’t exactly push at the frontiers of storytelling. It’s told straight and in a familiar way. Here are the journalists furtively working through top-secret government papers in a smoke-choked room for the public good. (There were no empty pizza … Read more

Three Billboards is a hoot and a blast, which I never thought I’d say about a rape movie

Three Billboards Outside Ebbing, Missouri does, indeed, feature three billboards outside Ebbing, Missouri. They have been placed at the roadside on the outskirts of town by Mildred Hayes (Frances McDormand), a middle-aged woman whose teenage daughter had been raped and murdered seven months earlier. The billboards read: ‘Raped While Dying’; ‘And Still No Arrests’; ‘How … Read more

Indulgent rather than stinging satire: Brad’s Status reviewed

Brad’s Status is a midlife crisis film starring Ben Stiller as a nearly 50-year-old man whose status anxiety is through the roof, poor thing. My heart bleeds and all that. I’ll tell you what Brad’s status should be: face well and truly slapped. The film is written and directed by Mike White (Beatriz at Dinner; … Read more

My favourite frum film of the year – thus far: Menashe reviewed

Menashe is a drama set amid Brooklyn’s ultra-orthodox Hasidic community. It is performed entirely in the Yiddish language. It is peopled exclusively by Hasidic non-actors. (Real-life grocer Menashe Lustig plays the title character.) It is small and specific, admittedly, but it also tells a universal story about a father’s struggle to hold on to the … Read more