Eurasia

Russian escapism: Telluria, by Vladimir Sorokin, reviewed

From our UK edition

Vladimir Sorokin, old enough to have been banned in the Soviet Union, flourished in the post-Gorbachev spring, and he fled to Berlin several days before Russia attacked Ukraine. He writes phantasmagorias, as so many Russians do, because Russia is a nation that has never allowed its writers to examine society directly. Solzhenitsyn said: ‘Russian literature gives a poor notion of Russia, because after 1917 all truth was suppressed.’ But even in the so-called Golden Age, the Tsar’s censorship was brutal. Voinovich said: ‘Depicting reality as it is, it’s very alien to Russians.’ Gogol provided one way out – satire – but he escaped to Rome. Later writers escaped into the historic past, romantic passivity, surrealism.

The strange ideology that could be driving Putin

Vladimir Putin’s motives in attacking Ukraine have become the subject of many deep and searching speculations. Is he seeking a personal legacy by attempting to reassemble the parts of the Soviet Union that fell asunder? Is he pursuing Russian national security by making sure Ukraine never becomes the frontline of NATO? Is he gleefully taking advantage of a weak and incompetent US president? Is he vindicating the glorious history of the KGB? These theories are not mutually exclusive, and there are many more possibilities. I want to enter the discussion from my nearly pristine ignorance of Russian geopolitical designs.

eurasianism