Edinburgh

Exploring Edinburgh, from Princes Street to Pitlochry

I’m blinking through floor-to-ceiling windows that perfectly frame a pristine view of Edinburgh Castle, standing magnificent against an improbably cloudless Scottish sky. The elegant writing desk in the Archibald Signature Suite at 100 Princes Street hotel has all the makings of an elevated “work-from-home” set up, but the scenery – and the collection of aged single malt I know to be upstairs – make concentration an uphill battle. This luxury townhouse right on, you guessed it, iconic Princes Street was made for luxuriating, not hunching over laptops. Ducking into the entrance on Princes Street feels exclusive, like knowing a secret.

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A journey through Edinburgh’s gothic past

When Guillermo del Toro’s new film adaptation of Frankenstein makes its bloody advent on Netflix later this year, the backdrop for 19th-century body snatching and resurrection may look familiar to many viewers. It was shot last year on Edinburgh’s Royal Mile and images from the set suggest that, as ever with del Toro, this will be a hallucinatory and haunting exercise in Gothic extravagance. If so, he has picked the perfect city on which to unleash Frankenstein’s monster. Edinburgh is a place that wears its long and often violent history like a velvet cloak.

Edinburgh

Hogmanay in Edinburgh is a marvelous experience

The city of Edinburgh, Scotland’s capital, really comes into its own twice a year. Firstly is August, when its streets are thronged with revelers and amateur PR types (“four stars in the Scotsman!”) promoting their wares at the world-famous performing arts festival. And then the second comes at the end of the year, during the New Year’s Eve period of Hogmanay, which sees anyone claiming long-distant Scots ancestry taking part in the revels for a day or two, just as it seems anyone in Boston on St. Patrick’s Day suddenly remembers their long-lost Uncle Padraig or Great-Aunt Shelagh. In any case, Hogmanay in Edinburgh is a marvelous experience, freezing cold aside, and best experienced from the surroundings of somewhere comfortable.

hogmanay edinburgh

The bold new vision for Edinburgh’s National Galleries of Scotland

What do you generally think of when you hear the words “Scottish art”? There are the usual clichés of course, of large-scale landscape paintings depicting gorse and heather and startled-looking wildlife, or alternatively there are the portraits of various noblemen and worthies, many of whom have the well-fed hue that living high on the hog imbues. If you head to Edinburgh’s National Galleries of Scotland — often simply known as “the National” — and visit the traditional collection in the neoclassical building right in the center of the city, near the castle and major shopping streets, you won’t be disappointed by the eclectic selection of Old Masters and Scottish masterpieces alike.

national

The Witchery weaves Halloween magic in Edinburgh

Halloween traditions might hail from All Hallows’ Eve, the Christian celebration preceding All Saints’ Day, but that has roots in Samhain — a Celtic pagan festival. Long before Westerners carved pumpkins come fall, the Scots were sticking knives into "neeps" (turnips). Disguised children ("guisers") warded off evil spirits on the streets of Scotland centuries before brats in Gryffindor scarves demanded Twinkies.  There could hardly be a better place to spend the spookiest time of the year than Edinburgh, with its reliably moody weather and litany of imposing buildings. Those seeking to be truly disturbed need simply research the capital’s very real history of witch hunts, public executions and plague.

witchery edinburgh

Instagram is ruining tourism. Could fandom save it?

It was shortly after noon on a Sunday in Edinburgh, and I was attempting to remedy my jet lag at the local BrewDog outpost with a pint of sour ale and a large helping of pizza. I’d flown in on the red-eye from New York to attend a conference, hadn’t had much sleep, and initially thought I was hallucinating when I saw that one of the few other patrons in the bar was a notably tipsy woman wearing wizard robes, waving a wand around as she talked to her drinking companions. They were, I noted, red and gold robes: Gryffindor. (Professor Minerva McGonagall, Gryffindor House’s notoriously strict faculty overseer, would be unlikely to approve of such drunken behavior in public.

fandom tourism