Eddie redmayne

Wednesday

James Delingpole

Spy-drama porn: Sky’s The Day of the Jackal reviewed

From our UK edition

All the previewers have been drooling lasciviously over The Day of the Jackal reboot and, having seen the first three episodes, I quite understand why. This is coffee-table spy-drama porn perfectly calculated to satisfy all manner of lurid and exotic tastes. There’s sniper-rifle-assembly porn; foreign-property porn (the Jackal’s gorgeous mountain retreat near Cadiz with a to-die-for infinity pool); fashion-nostalgia porn (especially the brown suede jacket worn with a red neckerchief in homage to the original, starring Edward Fox); far-right German politician’s head exploding in a pink mist as the heavy calibre sniper round reaches the end of its remarkable, unprecedented two-and-a-half-mile trajectory porn.

Monday

The Spectator

This month in culture: November 2024

Here In theaters November 1 What happens when the director, writer and stars of Forrest Gump get together in 2024? A goosebump-inducing story of family, time, space, home and the enduring nature of love. The “Here” in question is taken from the graphic novel by Richard McGuire, which tells the story of a location through generations and eras, transcending time. Director Robert Zemeckis plays on the panel-frames of graphic literature by employing a fixed camera angle throughout the film. AI de-aging technology is used to depict the actors from teenagerhood through their eighties. Tom Hanks, Robin Wright, Paul Bettany, Kelly Reilly and Michelle Dockery star.

Culture

Thursday

Clarissa Sebag-Montefiore

Spring’s hottest theatrical openings on Broadway

Since closing its doors during the pandemic in 2020, Broadway has struggled. The Phantom of the Opera lowered the curtain in April last year after more than thirty-five years. Andrew Lloyd Webber’s new musical, Bad Cinderella, shut in June, less than three months after it opened, and other musicals, such as the tortuously-named Britney Spears-inspired Once Upon a One More Time, have fared little better. Meanwhile, productions are still scrambling to get butts on seats: audience numbers are down 17 percent from their pre-pandemic highs. And yet, for theater aficionados, there is hope.

theater

Monday

Debbie Hayton

Eddie Redmayne shouldn’t regret playing a trans character

From our UK edition

Eddie Redmayne was nominated for an Oscar for his performance in The Danish Girl, but now he is having second thoughts about the role he took on. Redmayne played the part of Lili Elbe, a Danish illustrator who is remembered as one of the first recipients of gender reassignment surgery. Highly experimental at the time, the procedure eventually led to Elbe’s death, aged only 48. Now, Redmayne has said he was wrong to play the part he did:  'I made that film with the best intentions, but I think it was a mistake.'  Redmayne should not worry about upsetting the trans lobby Why?

Thursday

Deborah Ross

One zinger after another – but it’ll leave you cold: Trial of the Chicago 7 reviewed

From our UK edition

Aaron Sorkin’s The Trial of the Chicago 7 — don’t worry, you haven’t missed six earlier films — is a courtroom drama based on true events featuring a stellar cast: Mark Rylance, Frank Langella, Sacha Baron Cohen, Eddie Redmayne, Jeremy Strong. You may be wondering: hang on, no Michael Keaton? But he tips up too! What, no Joseph Gordon-Levitt? Don’t worry. He’s here. But while the performances are ace and the script is one of those Sorkin scripts where the dialogue is one zinger after another — zinger ping pong, I call it — it will leave you cold emotionally. This is a film to admire, in some respects, but it will never make you feel. I wasn’t bothered who did or didn’t go to prison in the end.