Dystopia

Our brave new world

In 1961, just two years before he died in Los Angeles, the polymath, philosopher and novelist Aldous Huxley gave humanity a warning. Much of his prophecy about society in Brave New World had come to pass, he said, which made him even more certain that the standout problem of the future would be our inability to resist becoming enslaved to our own technology. Now, more than 60 years after his death – and with an entire generation of children frying their brains with smartphones and nobody able or willing to do anything to stop them – it is hard to deny that he was onto something. The man was destined to be a prophet for our gadget-addled age.

Technology

1984 on Audible is a deliciously chilling immersion experience

Forty years on from the year in which it is set, and released on the date of Winston Smith’s first diary entry, George Orwell’s seminal dystopian novel Nineteen Eighty-Four (not 1984, despite how this most recent retelling has chosen to style the title) has received perhaps its highest-profile adaptation since Michael Radford’s film. Andrew Garfield plays the reluctantly rebellious Winston, and man-of-the-moment Andrew Scott is a smoothly vicious O’Brien. Cynthia Erivo makes for a suitably feisty Julia, and Tom Hardy reprises his Bane boom as Big Brother, although his contributions are wisely kept to a minimum.

george orwell nineteen eighty-four audible

The deeply human Walking Dead

It was the middle of July 2007. The dead-summer streets of Phoenix, Arizona, were fairly smoldering, so I went into a comic-book shop to beat the heat. I was shipping out to Iraq with the Marine Corps in two days and needed something to distract me. Indulging in a bit of casual melodrama, I asked the half-stoned employee behind the desk what he would read if he had two days to live. Without a second’s pause, he gave a knowing smile and said: “The Walking Dead, man.” Robert Kirkman never expected his comic to turn into the dominant media phenomenon it has become over the past two decades. But nerd culture has a funny way of jumping the bridge into mass media.

walking dead

Let’s ban the metaverse and colonize space

The way I see it, there are two options for the future: a transplanetary society or a transhuman one. What got me thinking about this was right-wing billionaire Peter Thiel’s recent interview with Mary Harrington, which she wrote up in UnHerd. As Harrington puts it, Thiel’s diagnosis of modern social ills is not that “progress is inevitably self-destructive,” but that we’ve been making the wrong kind of progress. "We’ve had continued progress in the world of computers, bits, internet, mobile internet, but it’s a narrow zone of progress. And it’s been more interior, atomizing and inward-focused,” Thiel said. Meanwhile, “there’s been limited progress in the world of atoms.” So far, so good. But then the interview took a strange turn.

How green is your Soylent?

In 1966, when Harry Harrison penned his dystopian thriller Make Room! Make Room!, which began life as a serial in Impulse magazine, he predicted that by 1999, there would be more than 7 billion people on earth, and a robust 35 million in New York City alone. The 1973 film adaptation of Harrison’s novel, Soylent Green, altered several aspects of Harrison’s novel, including the year in which the thriller is set: 2022. Now that we’re there (and decades past 1999), it’s worth asking: did Soylent Green director Richard Fleischer and his writer, Stanley R. Greenberg, get things right?

Soylent

How science fiction novels read the future

The pandemic is not quite over, but we are getting used to its inconveniences. What disaster will be next? An antibiotic-resistant strain of the bubonic plague? Climate collapse? Coronal mass ejection? Will the next catastrophe be natural — perhaps a massive volcanic eruption, the likes of which we have not seen for more than two centuries, since Tambora in 1815? Or will it be a manmade calamity — nuclear war or a cyberattack? And might we inadvertently descend into a new form of AI-enabled totalitarianism in our efforts to ward off such calamities? To all these potential disasters it is impossible to attach more than made-up probabilities. So what can we do about them? The best answer would be that we should strive to imagine them.

science fiction

A view from 2027

March 17, 2027Whenever the Pink Shirts come by for a check, Inez hits the discreet button beneath the kitchen counter that releases the trap door into the cellar where she now keeps her most expensive shoes and we’ve got about 30 seconds to get inside.Inez tells us much about the outside world that we’ve missed for so long. That the Pink Shirts are now knocking on doors daily to ask if any Deplorables live there. If so, they are immediately taken away to one of the Cal State campuses for reeducation but Inez says no one has ever returned. We fear only death awaits us at Cal State.They often have lists. Inez says the Beverly Hills Autonomous Zone District Commander is the foulest person she’s ever seen.

2027

Brave New World Revisited, revisited

When the West’s Days of Reckoning came in 2016, we naturally turned to George Orwell, master of modern dystopia, to make sense of Trump, Brexit and the return of the far-right in Europe. We took to the streets — or rather Twitter — crying, ‘It’s just like 1984!’ Dystopia had made a comeback. We lapped up The Handmaid’s Tale, Black Mirror and Blade Runner 2049 with gleeful horror. Our concern shot Orwell’s novel to the top of Amazon’s chart. These are cautionary tales for dangerous times. Stories of science-fictional wastelands, malevolent totalitarian governments and vengeful AI that warn us of what we might become. Yet we often ignore Aldous Huxley’s Brave New World. This is curious.

aldous huxley brave new world