Culture

European culture is being Americanized

Did Mariah Carey mime or not when she headlined the opening ceremony of the Winter Olympics in Milan? That was the main takeaway from last month’s jamboree. Organizers have since suggested that the US singer did indeed lip-sync to Domenico Modugno’s “Nel Blu, dipinto di Blu” and the song that followed, her very own, “Nothing is Impossible.” “The technical, logistical and organizational complexities of an Olympic ceremony are not comparable to a live performance by a single artist,” said a spokesperson for the organizing committee.    Was there also a linguistic complexity in the decision? Perhaps Carey didn’t feel confident singing live in Italian in front of 75,000 spectators in the San Siro Stadium, plus the 9.2 million Italians watching the ceremony on television. Nevertheless, Maria Laura Iascone of the organizing committee called Carey’s performance “exceptional,” adding that

Une bouteille de beaujoulais nouveau à côté d'un repas McDonald's, France, 1994. (Photo by Robert DEYRAIL/Gamma-Rapho via Getty Images)

America’s future looks vulgar

The latest Super Bowl offers the most recent opportunity to reflect on the terminal state of our national culture, held together chiefly by a distractive and unhealthy mania for commercial sports and perfectly exemplified by the infantile yet aggressively transgressive nihilism of a brainless showoff calling himself Bad Bunny and dressed all in white, suggestive perhaps of an anti-Easter Bunny. Why, one wonders, has no political theorist from Hobbes forward posited the ideal human community as one which would combine political democracy with cultural and intellectual aristocracy – as, indeed, America at the time of her founding and for several generations thereafter did? Such an arrangement might satisfy critics of