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A gripping portrait: Billie reviewed

From our UK edition

This documentary about Billie Holiday is transfixing. Not just because it’s about Billie Holiday — I am not into jazz yet her version of ‘Strange Fruit’ is obviously incredible — but for the previously unheard audio tapes recorded by Linda Lipnack Kuehl in the 1970s with the people who knew her. This includes, for instance, Billie’s cousin, John Fagan, who chucklingly says he pimped her out as a child — ‘girls started young’ — and that women who ‘step out of line’ like to be knocked about and are proud of having a black eye as it shows ‘someone loves them’.

Count my blessings

I have to laugh when I read about my Baby Boom cohort’s memories of savoring rock ’n’ roll behind the backs of disapproving elders. I had no such problem. I wasn’t especially taken with the new sounds of the Fifties: I was six years old when Elvis Presley debuted on the Ed Sullivan Show. I thought he was vaguely comical. In any case, my parents had resolutely high-minded middlebrow taste in such things, wavering somewhere between Dvorak, Lawrence Welk and Mozart. Rock ’n’ roll was simply out of the question. Everything else heard in the household — country and folk music, in particular, which my elder siblings’ favored — was tolerated to some degree, but my own secret musical vice was not.

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