Comic book adaptations

Spider-Man: Across the Spider-Verse dodges all the MCU virtue-signaling

The complaints about the Marvel Cinematic Universe are by now widely known. Their films follow predictable formulas and story beats. Characters become increasingly indistinguishable quip machines. The stakes are never high. The streaming content is overwhelmingly forgettable. Other than the death of Tony Stark onscreen and the sad passing of Chadwick Boseman offscreen, emotional moments are few and far between, as it's hard to care about characters when everything can be reset with a bit of multiverse mumbo jumbo. And then there's the problem of, well, as the Critical Drinker refers to it, THE MESSAGE. Expect a lot of that in the already twice-postponed production of The Marvels, girlbossing into theaters this winter.

Spider-Man: Across the Spider-Verse

The deeply human Walking Dead

It was the middle of July 2007. The dead-summer streets of Phoenix, Arizona, were fairly smoldering, so I went into a comic-book shop to beat the heat. I was shipping out to Iraq with the Marine Corps in two days and needed something to distract me. Indulging in a bit of casual melodrama, I asked the half-stoned employee behind the desk what he would read if he had two days to live. Without a second’s pause, he gave a knowing smile and said: “The Walking Dead, man.” Robert Kirkman never expected his comic to turn into the dominant media phenomenon it has become over the past two decades. But nerd culture has a funny way of jumping the bridge into mass media.

walking dead

The refreshing darkness of Netflix’s Locke & Key

Don’t be put off by the slow first episode, which makes you fear it’s just going to be another of those so-so emo magical-fantasy adolescent dramas in which Netflix abounds: Locke & Key is superior, addictive and bingeworthy stuff in the league of, or possibly even better than, Stranger Things. It begins with an achingly clichéd scenario — family driving across America to seek new life in exotic location, kids bickering in the back, awkward high-school experiences awaiting them, etc. — and the familiarity never lets up.

locke & key