Colm Toibín

"Literature is mostly about having sex and not about having children.” So said the British novelist, occasional screenwriter and literary critic David Lodge, who died at the beginning of 2025 at the age of eighty-nine. Lodge, who had suffered from encroaching deafness for several decades, had not, in truth, been a major literary figure for a considerable period before his death. This retreat into obscurity had not been helped by a trio of memoirs, beginning with 2015’s Quite a Good Time To Be Born, which perplexed critics — including this one — with their dour, downbeat and decidedly un-humorous tone. Few would have known, from reading them, that their author had once been regarded as one of the late twentieth century’s most accomplished comic novelists.

On a recent visit to the bookshops of New York, I found all the usual suspects front and center. If you wanted David Grann, Amor Towles or Salman Rushdie, you had come to the right department; if your tastes veered more toward the Air Fryer Cookbook, that particular whim would be well catered for, too. But the single book I saw on most prominent display everywhere I visited was the new novel by the Irish author Paul Murray, The Bee Sting. A shop assistant in McNally Jackson professed herself an admirer of both writer and work. “I’ve never seen anything like it. We sell a dozen copies a day, sometimes more. It’s hit a chord with people in a way that other books just don’t.