Bob Odenkirk

If viewers of Breaking Bad had taken bets during the show’s original run on which of the cast was likely to become a breakout action-film star a decade after the series finished airing, Bob Odenkirk would likely have been near the bottom of that list. The young actor Aaron Paul was perhaps the most obvious prediction, but Jesse Plemons, Dean Norris – even a grizzled and pumped Bryan Cranston – were all more predictable choices to do an alpha-male Liam Neeson-meets-Keanu Reeves act than the foppish comic relief Jimmy McGill, aka criminal lawyer (in both senses) Saul Goodman.

And so, after twelve seasons and twenty-four years, Larry David’s Curb Your Enthusiasm has finally come to an end. Opinion online has been divided as to the effectiveness of the ending, in which, spoilers, Larry is placed on trial in Atlanta for inadvertently breaking the Electoral Integrity Act by offering a voter a bottle of water in the line; a rare act of kindness he suffers for. It was an intentionally low-key ending that can nonetheless allow for callbacks to early episodes and brief returning cameos from the guest stars who have somehow been maligned, offended or otherwise dismayed by Larry’s antisocial antics in the previous quarter-century.

Next week will see the final tranche of episodes of the sixth series of Better Call Saul swaggering onto Netflix. They follow a tense mid-season cliffhanger that saw the sudden death of one major character and the unexpected return of a former nemesis. Expectations for the last installment are appropriately high, not least because of the much-heralded return of the two characters who defined the Breaking Bad universe from which the series was spun off: Aaron Paul’s hapless Jesse Pinkman and, most excitingly of all, Bryan Cranston’s Walter White. Better Call Saul’s creators, Peter Gould and Vince Gilligan, are intelligent men. Gilligan was responsible for Breaking Bad, on which Gould was a writer, producer and director.