Beatles

The death earlier this year of Brian Wilson, aged 82, was marked by the usual tributes to a man who was not only a pioneer of popular music, but also a sadly troubled genius whose early years of wild success were quickly overtaken by decades of drug addiction and mental health problems. A recurring theme in the obituaries was what might have happened in the aftermath of the Beach Boys’ masterpiece, 1966’s Pet Sounds, if Wilson, by then the band’s producer and lead songwriter, had not descended almost immediately into narcotic-induced torpor. It has commonly been suggested that Paul McCartney – who revered Wilson – was also jealous of the achievement of Pet Sounds, which arguably overshadowed the Beatles’ Revolver, and that Sgt.

At Eyes of the Storm, the de Young Museum’s exhibition of photographs taken by Paul McCartney, mainly on the Beatles’ first American visit, the typical viewer will be surprised to find herself empathizing more with the rock stars than the audience. In early photos, the crowds – and the band members – are eager, curious and frank. But through the months and the cities and photoshoots, the Beatles learn to pose. They soon find themselves flattened by a camera’s gaze in a way all too familiar to just about everyone today. The collection opens with the Beatles’ British tour in 1963 and residency in Paris in early 1964. “We were just wondering at the world,” McCartney writes, “just excited about all these little things that were making up our lives.