Arcade Fire

Arcade Fire extinguished

Amid the many disappointments and commercial flops the music industry saw this year, perhaps the most egregious was the complete failure of Arcade Fire’s album Pink Elephant. The failure represents not merely the probable end of the band, but also the death of Obama-era rock. Pink Elephant received dismal reviews and didn’t even chart on the Billboard 200. Given that their last album, We, reached #6 as recently as 2022, and their previous LPs, Reflektor and Everything Now, topped the charts, this is a near-unparalleled fall from grace for a once-mighty act. That the married pair who compose the nucleus of the band, Win Butler and Régine Chassagne, announced their separation a few months later was the particularly rancid icing on the already-stale cake.

arcade fire

Kanye West and Arcade Fire: a tale of two cancellations

At first glance, Kanye “Ye” West and the Arcade Fire’s lead singer Win Butler might seem to have little in common. Ye has built his increasingly deranged career on provocation and confrontation, and that has now reached its nadir in his latest single, “Heil Hitler,” in which he declares that “All my niggas Nazis, nigga Heil Hitler.” After listing the various perceived wrongs that have been done to him, Ye states, all too accurately, “So I became a Nazi, yeah bitch, I’m the villain.” Inevitably, it ends with the song sampling a Hitler speech, in which the Führer cried that, “Whether you think my work is right... if yes, then stand up for me as I stood up for you.” The song has attracted outrage, upset and genuine confusion as to Ye’s mental state.

win butler arcade fire kanye west

The Last Dinner Party’s Prelude to Ecstasy fizzes with wit and invention

I have lost hope in contemporary pop music. As someone who used to keep his finger on the pulse of new releases, and who went to gigs as often as I could, the absence of innovation has been one of the great disappointments of the past couple of decades. There really isn’t anything much out there, bar, of course, the sainted Taylor Swift. But ever since David Bowie’s death eight years ago (eight years...), the music industry seems to have been in a desperate downward spiral, where flair, originality and chutzpah are sorely missed. Surely it’s time that a new act could supply such things, complete with flute solos, songs sung in Albanian and an orchestral overture? No, I am not making it up.

last dinner party

The Spectator’s Music of the Year 2023

Teresa Mull, assistant editor A Cat in the Rain by the Turnpike Troubadours The Turnpike Troubadours are back with a new album that sounds a lot like their old ones, which is why I like it so much. A Cat in the Rain has been heralded as “a triumphant comeback,” and indeed, as a fan who’s followed (or tried to, anyway) the Red Dirt band’s ongoing drama, I was surprised and delighted to welcome the return of Evan Felker’s rustic voice singing some fresh, but still familiar-feeling, songs. The lyrics have a gentler, humbler feel to them — overcoming alcoholism by laboring on a cattle ranch and rekindling with the wife you divorced to produce two kids will do that to a man, apparently.

turnpike troubadours music

Arcade Fire: the last of the art-rockers?

After I saw the Canadian band Arcade Fire on tour in London in late 2010, I began my review of the gig by quoting Psalm 98: “Make a joyful noise unto the Lord, all the earth: make a loud noise, and rejoice, and sing praise.” My abiding memory of the evening was that it was fun. Despite the apparent solemnity of many of the act’s songs — several of which had been taken from their debut album, Funeral, and revolved around death and despair — the concert had a celebratory and upbeat aspect. It concluded (as virtually all of their shows had done) with a euphoric singalong of what has become their signature song, the cathartic “Wake Up.” A decade later, matters have changed. The world is in a considerably more anxious state than it was.

arcade fire