Appalachia

Monday

The Spectator

Letters from Spectator readers, November 2024

The rise of BlueAnon The adults on both sides have checked out completely and it shows. We are an empire on the decline and there is no denying that now. — Virgil Hilts As a basic foundation for this story you could do no worse than to recall an incident that occurred during LBJ’s campaign for senator in Texas in 1948. He proposed to accuse his opponent of “fornicating with a goat.” When an aide asked if he truly believed it, LBJ reportedly said, “Of course not. I just want to hear him deny it on the radio.” — Richard Lindo The academic legacy of Donald J. Harris It’s astonishing that Kamala will probably win with a true Marxist theoretician in the family — I guess the time is right for the US to get its very own socialist “utopia.

letters

Wednesday

Lee Langley

Panning for music gold: The Catchers, by Xan Brooks, reviewed

From our UK edition

They were known as song catchers: New York-based chancers with recording equipment packed in the back of the van, heading south in search of hill country music that could make the record company (and, relatively, the recorder) rich. The singer would get a flat fee of $30. Among themselves, over a beer, the catchers called it panning for gold, diving for pearls, trapping fireflies in a jar. Their territory was the far beyond, where ‘people played banjos and fiddles, washboards and dulcimers… Songs poured through the hills like migrating salmon.

Thursday

James S. Robbins

What does Appalachia mean?

The selection of J.D. Vance as Donald Trump’s running mate has made Appalachia the regional epicenter of America’s political universe. But above the social media sniping and political gamesmanship lies a message of diversity, identity and internal conflict at the very heart of what it means to be an American. J.D. Vance, a native of Middletown, Ohio and the bestselling author of Hillbilly Elegy, was immediately criticized by Kentucky governor Andy Beshear as a phony who acts “like he understands our culture” when “he ain’t from here.

Appalachia

Thursday

Anthony Hennen

Appalachia’s stalled revival

State officials and nonprofit leaders often chatter about economic diversification and a just transition for Appalachia. But old habits die hard. Many still dream of large factories and firms returning to the region, bringing economic wealth — and tax revenue.  The divide between smokestack chasers and economic diversifiers has an extra urgency as the federal government directs more money into the region than they have in decades. But the diversification versus big business divide threatens to squander the money from federal legislation like the Infrastructure Investment and Jobs Act and the Inflation Reduction Act.  Swinging for the fences promises the revival of a golden era, when Appalachia was dotted with coal mines and factories.

appalachia

Monday

Winston Marshall

Oliver Anthony and the sorry state of Rolling Stone

I must confess, I often forget Rolling Stone magazine still exists. Once the zeitgeist-surfing Holy Writ of American counter-culture, it hosted the pioneering writers of the boomer generation: Tom Wolfe, Lester Bangs, P.J. O’Rourke, Hunter S. Thompson. Even as recently as 2020 the magazine boasted accomplished journalists such as Matt Taibbi. But over five decades, the magazine withdrew into the Establishment, just as their boomer readers did. And every now and then the Rolling Stone’s pale cadaver makes a misjudged groaning gasp for life, if only to remind us it’s not quite dead. The rag mustered one such gasp this weekend.

oliver anthony rolling stone counterculture

Tuesday

Susie Mesure

The stepmother’s tale: Take What You Need, by Idra Novey, reviewed

From our UK edition

All writers studying their craft should be encouraged to try translation, thinks Idra Novey, the Pennsylvania-born novelist, poet and, si, translator. Working in another language confers the freedom to slip out of their own voices, developing their own tone in the process, she told one interviewer. On the strength of Novey’s third novel, Take What You Need, an adept tale about an estranged stepmother and daughter set in a fictional former steel town in Appalachia, all writers should heed her advice.