Charles Ives was a composer before his time
In February 1951, Leonard Bernstein led the New York Philharmonic through the première of a symphony by an American composer unknown at Carnegie Hall. The composer in question was Charles Ives, by then too frail to attend in person. He listened from home when the concert was broadcast a few weeks later. An experimenter by instinct, Ives’s work had already proved an inspiration to a younger generation of radical American composers including John Cage, Lou Harrison and Morton Feldman. But that Ives listened from afar to the première, at long last, of his Second Symphony – completed in 1902 – was symbolic of the distance he maintained from America’s classical mainstream.
