Alice Cooper

The quest for an authentic bite of Americana

Finally I found an authentic bite of Americana. Or so I thought. The rodeo. A blaze of bucks and broncos, boots and bulls, shining golden in the dusk of the Teton mountain range. Jackson, Wyoming, far away from the raging culture wars and as unapologetically American as a bald eagle’s middle finger. A proud, if out-of-tune, “Star Spangled Banner” stirred me enough that for a moment I forgot I was English. The crackle and hollering, the stirrups and steers. This was real, I believed. Weeding through an air-conditioned continent of screens, plastic and corporate advertisements, I had found her at last: America. But then slipped the veneer. The rodeo barrelman — a ringmaster in clown maquillage — squawked at us down a dusty PA system. “Where are you from?...

authenticity

When Salvador Dalí met Alice Cooper

It was the ultimate summit between the two kings of pop-art camp, and one of the weirdest celebrity encounters even by the standards of 1970s New York. Salvador Dalí might have been the century’s most notorious modernist, but by the spring of 1973, when he was turning sixty-nine, his reign as the high priest of surrealism had descended into self-parody. Paintings such as his 1931 “The Persistence of Memory,” with its array of limp watches set in a barren landscape, had once sharply polarized critical opinion. For years, people saw Dalí either as a beacon of intellectual and emotional freedom, or as a madman who was more interested in money than art.

salvador dalí alice cooper