Acting

The free market can’t stop AI actress Tilly Norwood

The British actress Tilly Norwood began appearing in viral videos and short films across the internet earlier this year. She is young, fresh-faced, with girl-next-door vibes. She will be signed by a major talent agency soon. But Tilly Norwood is not real. She is an artificial-intelligence synthetic. She is not in the real world, not embodied. She is not a person or an actress. She is a digital Frankenstein’s monster of video software and ChatGPT. Tilly was created by Particle6 Productions, an AI studio founded by Dutch comedian and actress Eline Van der Velden. Tilly is her project. Van der Velden moved to the UK when she was 14 to study drama and musical theater – and Tilly is fairly clearly her idealized self. Tilly, and by extension Van der Velden, is increasingly famous.

Why does Jared Leto still have a career?

This weekend, Tron: Ares releases across US cinemas, and is expected to make a decent, rather than record-setting, amount of money in its opening weekend. It is a curious film franchise in that neither of the two films that precede it are especially beloved, but both have iconic soundtracks composed, respectively, by electronic music pioneer Wendy Carlos and French electro duo Daft Punk. (The honors this time around fall to Trent Reznor and Atticus Ross, aka Nine Inch Nails.) Yet whatever the strengths and weaknesses of Tron: Ares – and the early reviews have not been kind – there is one aspect that can only make audiences groan in anticipation, and that is the casting of its star, Jared Leto.

Kenneth Branagh: the luckiest man in Hollywood?

If the average person were to be asked what Sir Kenneth Branagh had won an Oscar for, the vast majority would probably say “acting.” Then when told that, despite two Academy Award nominations, he has not been so rewarded, they might then assume that it’s his direction of such films as Henry V, Hamlet or Belfast that led him to take him gold. In fact, though, it’s his screenplay for the latter film that finally won him an Oscar in 2022, showing that Branagh is a true renaissance man; it is not for nothing that first theater company he founded was called the Renaissance. This summer has been, as usual, a busy and productive one for the actor-writer-director.

Noël Coward, the English playwright who loved all things American

Half a century after his death, the playwright, songwriter, actor, director and general Renaissance man Noël Coward is regarded, with some justification, as the quintessential English polymath. His best-known plays and songs, from Private Lives and Present Laughter to “Mad Dogs and Englishmen” and “London Pride,” seem so steeped in their Britishness — even if Coward was catering to a country that loved seeing a distorted, exaggerated version of itself — they could be placed in a time capsule as perfectly executed microcosms of the national identity. Any man who could write “Wouldn’t it be dreadful to live in a country where they didn’t have tea?

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Angela Lansbury was so much more than Murder, She Wrote

The only time I ever saw Angela Lansbury on stage was in 2014 in London, when she played the half-baked medium Madame Arcati in a revival of Noel Coward’s supernatural comedy Blithe Spirit. Although it was rumored that the then-88-year-old Lansbury was having her lines fed to her via earpieces, it did not affect her comic timing one iota. It is no exaggeration to say that Lansbury took a character who has passed into over-familiarity via decades of revivals and made her fresh and hilarious once again. For anyone to achieve this is remarkable, but to do so at an age when most actors would have long since retired is little short of phenomenal. Lansbury’s death at the age of 96 — a few days shy of her 97th birthday — has some uncanny parallels with the recent passing of the Queen.

No success like failure

It is a standard narrative in all showbiz reporting — and one that arts hacks seem to be duty bound to abide by. It is the fairy tale of ‘Making It’: the story of a star whose career took time to get off the ground but, thanks to perseverance and self-belief, went stratospheric. It goes like this: ‘I was a nobody, and I was turned down from everything. And I nearly didn’t go to that final audition, but whaddya know? I turned up and... Shazam! Oscars raining down and a mini-series on Netflix.’ There is an encyclopedia of stars who toughed it out before making it big.

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Should a black British actor play Harriet Tubman?

The Twitter pitchforks are out once more – this time for Cynthia Erivo, an actor and singer born in London to Nigerian parents. The 32-year-old is set to play the titular role in Harriet, a movie based on the life of abolitionist Harriet Tubman who helped countless African American slaves escape through the Underground Railroad. The film, set for a November release this year, boasts a cast including Janelle Monae and Hamilton star Leslie Odom Jr. Erivo is a Tony-winning performer who received great reviews for her turn as a soul singer in Bad Times at the El Royale. Yet she finds herself in the middle of a war for Tubman's legacy. https://www.youtube.com/watch?

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Scarlett Johansson should only be allowed to play Scarlett Johansson in movies about Scarlett Johansson

Scarlett Johansson shocked the world last week by doubling down on her previous assertions that she should be allowed to play different characters on the grounds that it’s ‘her job’. 'You know, as an actor I should be allowed to play any person, or any tree, or any animal because that is my job and the requirements of my job,' Johansson blithely claims. This comes off the back of her decision to pull out of a role in which she would have played a trans male gangster brothel owner, due to complaints from the LGBT community over her ciswashing of the character.

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The brief bravery of Scarlett Johansson

Only 16 percent of Americans reported knowing or working with someone who is transgender, according to a 2015 GLAAD survey. I’m not sure that the issue has ever been studied, but I’m comfortable conjecturing that more than 16 percent of Americans have either heard of Scarlett Johansson, or enjoy going to the occasional movie. These numbers are important to remember when considering a particularly vacuous 'controversy' from last summer and its recent re-emergence this weekend. Johansson found herself at the center of a curious conversation last July. Like every actor in the film industry, she is frequently paid to portray individuals aside from herself. English language speakers used to refer to this behavior as 'acting.' The job in question was to act in a film called Rub and Tug.

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