A.M. Homes

A.M. Homes’s state of paranoia

When reading A.M. Homes’s fiction, you’re never quite sure what to expect. In 1996, she made waves with the publication of her “vile and perverted” novel The End of Alice: a none-too-edifying tale narrated from the perspective of an imprisoned pedophile and child-killer, who spends the book in correspondence with a nineteen-year-old girl about how to seduce a twelve-year-old boy. In a rare instance in which the UK was more prudish than the United States, a large chain of British booksellers refused to stock the work. More recently, her 2012 novel May We Be Forgiven — for which she won the 2013 Baileys Women’s Prize for Fiction — features a fatal car accident, a psychiatric hospital, an extramarital affair and a homicide. And that’s all within the first chapter.

Too much American angst: the latest short stories

In ‘A Prize for Every Player’ — one of 12 stories in Days of Awe, a new collection by A.M. Homes (Granta, £14.99) — Tom Sanford, shopping with his family in Mammoth Mart, soliliquises (loudly and nostalgically) about the America he remembers, and finds himself with an audience of shoppers who nominate him as the People’s Candidate for President. Absurd? Not quite so absurd perhaps as in pre-Trump days. Days of Awe (the title comes from Rosh Hashanah, the ten days of repentance in the Jewish calendar) is Homes’s third collection and her first book since winning the Women’s Prize for Fiction in 2013.

american short stories